During these trying days of social distancing, self-isolating and quarantines, days rife with fear and anxiety, my colleagues and I thought you might like some company. So each day we will be introducing you to poets we have met over the years. The only contagion they will expose you to is a measure of joy, reflection and meditation brought on by “the best words in the best order.”
— Bill Moyers
Today we hear from Galway Kinnell.
“After Making Love We Hear Footsteps”
For I can snore like a bullhorn
or play loud music
or sit up talking with any reasonably sober Irishman
and Fergus will only sink deeper
into his dreamless sleep, which goes by all in one flash,
but let there be that heavy breathing
or a stifled come-cry anywhere in the house
and he will wrench himself awake
and make for it on the run – as now, we lie together,
touching along the length of our bodies,
familiar touch of the long-married,
and he appears – in his baseball pajamas, it happens,
the neck opening so small
he has to screw them on …
and flops down between us and hugs us and snuggles himself to sleep,
his face gleaming with satisfaction at being this very child.
In the half darkness we look at each other
and touch arms across his little, startlingly muscled body —
this one whom habit of memory propels to the ground of his making,
sleeper only the mortal sounds can sing awake,
this blessing love gives again into our arms.
Galway Kinnell was an award-winning poet best known for poetry that connects the experiences of daily life to much larger poetic, spiritual, and cultural forces. Often focusing on the claims of nature and society on the individual, Kinnell’s poems explore psychological states in precise and sonorous free verse. Critic Morris Dickstein called Kinnell “one of the true master poets of his generation.” Dickstein added, “there are few others writing today in whose work we feel so strongly the full human presence.” Robert Langbaum observed in the American Poetry Review that “at a time when so many poets are content to be skillful and trivial, [Kinnell] speaks with a big voice about the whole of life.”
Selected Poems (1982), for which Kinnell won the Pulitzer Prize and was co-winner of the National Book Award in 1983, contains works from every period in the poet’s career and was released just shortly before he won a prestigious MacArthur Foundation grant. Almost 20 years after his Selected Poems, Kinnell released the retrospective collection, A New Selected Poems (2001), focusing on Kinnell’s poetry of the 1960s and 1970s.
(Biography excerpted from PoetryFoundation.org. Read Kinnell’s entire bio »)